*Opening Reception: Thursday, June 20th, 2024, 6-8 PM

The National Academy of Design's Annual Exhibition is the longest-running serial exhibition of contemporary art and architecture in the United States. The 191st Annual: Academy Style will feature work by 116 National Academicians and is the first in-person Annual held since 2015 and the first in the Academy's new home in Chelsea.

Participating Artists and Architects
Eric Aho / Eve Aschheim / Shimon Attie / Frances Barth / David Becker / William Beckman / Deborah Berke / Marlon Blackwell / Willard Boepple / James Bohary / Gregory Botts / Paul Broches / Tom Burckhardt / Squeak Carnwath / Henry Casselli / Carmen Cicero / Brad Cloepfil / Patricia Cronin / Robert Cronin / James Cutler / Lisa Corinne Davis / Donna Dennis / Simon Dinnerstein / Mark Di Suvero / Angela Dufresne / Garth Evans / Alan Feltus / Beverly Fishman / Nancy Friese / Jeanne Gang / Dan Gilhooley / Andrew Ginzel / Judy Glantzman / Richard Gluckman with Andrew Weigand / Glenn Goldberg / Jacqueline Gourevitch / Joanne Greenbaum / Barbara Grossman / Dan Gustin / Richard Haas / Nancy Hagin / Walter Hatke / Julie Heffernan / Nona Hershey / Elana Herzog / Lisa Hoke / Eric Holzman / Diana Horowitz / David Humphrey / Valerie Jaudon / Carlos Jiménez / Ralph Johnson / Wendy Evans Joseph / Roberto Juarez / Richard Kalina / Howard Kalish / Stephen Kieran / Elizabeth King / Jonah Kinigstein / Joyce Kozloff / Harry Kramer / Karen Kunc / Tom Kundig / Leonardo Lasansky / Pat Lasch / Martin Levine / Bruno Lucchesi / Mary Lucier / Sangram Majumdar / Michael Maltzan / Mary Beth McKenzie / Julie Mehretu / Melissa Meyer / Ruth Miller / John Moore / Judith Murray / John Newman / Richard Olcott / Jim Osman / Don Perlis / Donald Porcaro / Langdon Quin / Andrew Raftery / Carole Robb / Reeve Schley / Judith Shea / Lorraine Shemesh / Jean Shin / Arthur Simms / Richard Sloat / Ed Smith / Ned Smyth / Jane South / Kyle Staver / Gary Stephan / Jessica Stockholder / Immi Storrs / Evan Summer / Barbara Takenaga / James Timberlake / Fred Tomaselli / Anita Toney / Lee Tribe / Bernard Tschumi / Michael Van Valkenburgh / Claire Van Vliet / Don Voisine / Sarah Walker / Kay WalkingStick / Leslie Wayne / Claire Weisz / Jerome Witkin / Alexi Worth / Jimmy Wright / Sharon Yates / Murray Zimiles

Jenkins Johnson Gallery

*Opening Reception: June 6th, 6-8pm

Miles McEnery Gallery 

Navy Pier in the Festival Hall

600 E Grand Ave, Chicago IL 60611

Lisa Corinne Davis
Violet Fileds
Jae Jarrell
Nnena Okore
Ming Smith

Penguin/Random House has commissioned a painting for their lobby at 1745 Broadway, New York, NY.

Jenkins Johnson Gallery
Booth B31

Solo booth, Directional Signal, hosted by Jenkins Johnson Gallery.

Exhibited with Miles McEnery Gallery

*Opening Reception: September 2nd, 4-6pm

Booth C 11

Patrick Alston, Kevin Cole, Lisa Corinne Davis, Scott Fraser, Aïda Muluneh, Wycliffe Mundopa, Blessing Ngobeni, Enrico Riley, and Philemona Williamson.

Yura Adams, Anna Berlin, Madeleine Bialke, Jed Cohen, Lisa Corinne Davis, Dana Frankfort, Kathleen Goncharaov, EJ Hauser, Colleen Herman, Michelle Laxalt, Lee Maxey, Cassandra Mayela, Georgia McGovern, Melissa Meyer, Jiha Moon, Lucy Mullican, Naomi Nakazato, Keisha Prioleau-Martin, Aliza Sternstein, Jia Sung, Kako Ueda, and Zi Wang.

Benefit exhibition to support abortion rights via Planned Parenthood, Brigid Alliance, and Keep Our Clinics. 
Opening Reception: Friday, September 16, 6 - 9 PM

Curated by Michael David and Jenifer Samet.

With works by Andrea Belag, Michael Berryhill, Allison Blumenthal, Katherine Bradford, Tom Burckhardt, Lisa Corinne Davis, Astrid Dick, Angela Dufresne, Teresa Getty, Brenda Goodman, Joanne Greenbaum, Nora Griffin, Cate Holt, Suzanne Joelson, Lauren Luloff, Suzanne McClelland, Cherie Mittenthal, Louise Noel, Camila Oliveira Fairclough, Judy Pfaff, Erika Ranee, Mira Schor, Franchesca Schwartz, Joan Snyder, Kyle Staver, Emily Weiskopf, and Molly Zuckerman-Hartung.

Between States is about the space between visual experience and recognition/nameability. It is about perceptual depth and multi-dimensional readings. Between States counters the idea that we are divided according to the state in which we live, and highlights the reality of human connection across geographical boundaries. Between States highlights gender fluidity, and emphasizes that women’s rights are human rights. Between States refers to the fluid phases in women’s lives, including that of pregnancy. 

Curated by Molly Sullivan

The Milton Resnick and Pat Passlof Foundation is pleased to present Given Time, a group exhibition of paintings by Milton Resnick, David Reed, John L. Moore, Lisa Corinne Davis, and Yevgeniya Baras. Curated by Molly Sullivan, the exhibition is on view September 8, 2022 - February 25, 2023. A catalog featuring an essay by Sullivan will accompany the exhibition.

Given Time reimagines an exhibition curated by Sullivan in 1991: Contemporary Abstract Painting at the Muscarelle Museum of Art at William and Mary College in Williamsburg, Virginia. A group show of painters including Resnick, Reed, and Moore, Contemporary Abstract Painting referenced the tumult of the 1980s art market, debates over the future of painting, and the impact of the political moment on artists’ work.

Given Time expands on that premise, presenting a range of work by artists with a broad spectrum of personal and political influences. The exhibition is anchored by Milton Resnick’s mature work from the 1980s and features more recent works by David Reed and John L. Moore. Included also are Lisa Corinne Davis and Yevgeniya Baras, each from younger generations of painters whose work and perspectives broaden the exhibition’s narrative.

Imagined for the Milton Resnick and Pat Passlof Foundation with care to the contemporary moment, Given Time considers the impact of the three decades  passed in the interim between the original exhibition and its current iteration. With attention to the particulars of each artist, Sullivan narrows her thesis on abstract painting by way of their varied and vibrant paintings and personal histories, examining what can be created when given time. 

Miles McEnery Gallery, 515 West 22nd Street

December 2, 2021 - December 4, 2021

Jenkins Johnson will present artists who explore social and political issues of the Black Diaspora by bridging historical and contemporary moments: Jae and Wadsworth Jarrell, Mary Lovelace O'Neal, Ming Smith, Enrico Riley, Blessing Ngobeni, Dewey Crumpler, Raelis Vasquez, Veronica Fernandez, Alex Jackson, Gordon Parks, Lisa Corinne Davis and Philemona Williamson. On a daily rotation, one outer wall will expand the viewing to include work by one of three emerging painters: Alex Jackson, Blessing Ngobeni, and Raelis Vasquez.

October 26, 2021 - December 10, 2021

Duke Hall Gallery of Fine Art
James Madison University

Charles Burwell, Nanette Carter, Lisa Corinne Davis, Lamerol Gatewood, Rico Gatson, Felrath Hines, Norman Lewis, Erika Ranee, Ronald Walton, Benjamin Wigfall and Susan Zurbrigg

Sanford Biggers, Lisa Corinne Davis, Jack Whitten

The Tang Teaching Museum815 North Broadway
Saratoga Springs, NY 12866
518-580-8080

The OLYMPIA Project

41 Orchard St, New York, NY 10002

August 14 - September 18

Eve Aschheim, Anna Berlin, Lisa Corinne Davis, Brenda Goodman, Melissa Meyer, Susanna Phillips, Elena Sisto

Sheldon Museum of Art

August 13–December 31

Tony Bechara, Ross Bleckner, Lisa Corinne Davis, Helen Frankenthaler, Carmen Herrera, Norman Lewis, Al Loving, Odili Donald Odita, Mavis Pusey, Stanley Whitney

Jenkins Johnson Projects, New York, is pleased to present What’s It All About. A group exhibition featuring the works Anthony Olubunmi Akinbola, Patrick Alston, Carmen Neely, Esteban Ramón Pérez, Emma Soucek, Jason Stopa, Dewey Crumpler and Lisa Corinne Davis. The exhibition will have an accompanying essay by Writer and Critic Amarie Gipson. What’s It All About brings together a focused selection of works by a multigeneration group of artists all considering abstraction within their practice.

Jenkins Johnson Projects

207 Ocean Avenue

Brooklyn, NY, 11225

Alexander Gray Associates

Subliminal Horizons

New York City: July 1 - August 14, 2021

Germantown: July 2 - August 15, 2021

Diana Al-Hadid, Huma Bhabha, Henri Paul Broyard, Karlos Cárcamo Lisa Corinne Davis, Melvin Edwards, Kenji Fujita, Jeffrey Gibson, David Hammons, Lyle Ashton Harris, Jennie C. Jones, Laleh Khorramian, Glenn Ligon, Adam Pendleton, Martin Puryear, Angel Otero, Tschabalala Self, Xaviera Simmons, Kianja Strobert, Carlos Vega

Alexander Gray Associates presents Subliminal Horizons, an exhibition curated by Alvin Hall as an open-ended survey of Black, indigenous, brown, and Asian artists living and working in the Hudson Valley in New York.

BIPOC creators and their predecessors have always been present in the Hudson Valley. They numbered among its original inhabitants and labored in its agrarian and industrial economies. They have been a force in the countercultural and creative communities that have historically been drawn to the area and are now driving its ongoing transformation into an arts-driven economy. Nonetheless, their work has largely been left out of a cultural narrative that historically gives primacy to the nearly all-white, all-male Hudson River School. Bringing together painting, sculptures, and drawings by an intergenerational group of BIPOC artists living and working in Hudson Valley, Subliminal Horizons invites a fluid, open-ended consideration of the area’s cultural life oriented towards an expanded field and a more complete context.

Rather than presenting a purely critical thesis, the exhibition offers a point of departure for this expanded field. The artists and the works on view are connected by loosely recurring art historical themes such as the contrast between the sublime, realist landscapes of the Hudson River School and the figuration, interiority, textuality, or abstraction of much contemporary work; and by the possibilities for community and collectivity embedded in their shared geography. “I’ve looked at the Hudson River and the surrounding landscape so many times during train rides. The metaphor of the estuary—a body of water that flows in multiple directions—resonates in the works,” says Alvin Hall. “One can locate the covering and uncovering of personal and social histories; a blurring of distinction between the representational and the abstract; the conflicts of the documented and imaginary; and a tension among traditions, modernism, and contemporary art’s growing pluralism in the diverse works in the exhibition.”

A necessarily incomplete intervention, Subliminal Horizons is an exercise in building community, shifting narratives, and reframing dialogue. Generous rather than exclusive, responsive rather than prescriptive, the exhibition aims to strengthen and extend community ties by uncovering existing histories, affinities, and artistic connections. Collectively, the artists and their works speak to the many ways the Hudson Valley is today an important magnet for artistic expression, intellectual pursuit, and emotional expansion.

Curated by Dolly Bross Geary, Michelle Y. Loh, and Kristen Lorello
a two-venue, collaborative group exhibition
at Geary Contemporary, Millerton, NY, and Kristen Lorello, New York, NY

Geary, 34 Main St, Millerton, NY, Opening Reception: June 13, 2 - 5pm
Scott Alario, Eve Biddle, Olivier Catté, Lisa Corinne Davis, Catherine Haggerty, Christopher Saunders, Ping Zheng.
June 12 - July 25 https://geary.nyc/the-burning-kite

An online exhibition is open Seeing Past the Future, an online exhibition of works by 2020 Pollock-Krasner Foundation grant recipients, is now live on our website, pkhouse.org

The exhibition was conceived by Shimon Attie, the inaugural Charles C. Bergman Endowed Visiting Professor of Studio Art at Stony Brook University’s College of Arts and Sciences, in conjunction with the Pollock-Krasner House and Study Center. It includes work by 29 artists who have received Pollock-Krasner Foundation grants since the onset of the COVID-19 pandemic and will remain on view through August 31.