Upcoming
All Bangers, All The Time
NEW YORK – Miles McEnery Gallery is proud to announce All Bangers, All The Time, a group exhibition of works by over 50 gallery artists commemorating the 25th Anniversary of Miles McEnery Gallery. The exhibition opens Saturday 14 December 2024 and will remain on view through 25 January 2025 across all four of the gallery’s 22nd and 21st street locations. All Bangers, All The Time represents the gallery’s largest and most ambitious exhibition to date.
The exhibition takes full advantage of the gallery’s expansive footprint; with over 25,000 square feet across four locations, each space offers a unique curatorial lens, which celebrates the artists who have shaped the gallery over the past 25 years. All Bangers, All The Time underscores the vision of the gallery as a steward for new and established voices in the contemporary artistic landscape.
On Drawing
Organized by Mary Temple
Participating Artists:
Sonya Blesofsky, Katherine Bradford, Leslie Brack, Geoff Chadsey, Mike Cloud, Jennifer Coates, Holly Coulis, Jaclyn Conley, Vince Contarino, Amy Cutler, Lisa Corinne Davis, James Esber, Joanne Greenbaum, Glenn Goldberg, Josephine Halvorson, EJ Hauser, Ridley Howard, David Humphrey, Vera Iliatova, Jena Kim, Raul de Lara, RJ Messineo, Tracy Miller, Nyeema Morgan, Sangram Majumdar, Sheila Pepe, Kyle Staver, Mary Temple, Richard Tinkler, Dina Weiss
The 191st Annual: Academy Style
*Opening Reception: Thursday, June 20th, 2024, 6-8 PM
The National Academy of Design's Annual Exhibition is the longest-running serial exhibition of contemporary art and architecture in the United States. The 191st Annual: Academy Style will feature work by 116 National Academicians and is the first in-person Annual held since 2015 and the first in the Academy's new home in Chelsea.
Participating Artists and Architects
Eric Aho / Eve Aschheim / Shimon Attie / Frances Barth / David Becker / William Beckman / Deborah Berke / Marlon Blackwell / Willard Boepple / James Bohary / Gregory Botts / Paul Broches / Tom Burckhardt / Squeak Carnwath / Henry Casselli / Carmen Cicero / Brad Cloepfil / Patricia Cronin / Robert Cronin / James Cutler / Lisa Corinne Davis / Donna Dennis / Simon Dinnerstein / Mark Di Suvero / Angela Dufresne / Garth Evans / Alan Feltus / Beverly Fishman / Nancy Friese / Jeanne Gang / Dan Gilhooley / Andrew Ginzel / Judy Glantzman / Richard Gluckman with Andrew Weigand / Glenn Goldberg / Jacqueline Gourevitch / Joanne Greenbaum / Barbara Grossman / Dan Gustin / Richard Haas / Nancy Hagin / Walter Hatke / Julie Heffernan / Nona Hershey / Elana Herzog / Lisa Hoke / Eric Holzman / Diana Horowitz / David Humphrey / Valerie Jaudon / Carlos Jiménez / Ralph Johnson / Wendy Evans Joseph / Roberto Juarez / Richard Kalina / Howard Kalish / Stephen Kieran / Elizabeth King / Jonah Kinigstein / Joyce Kozloff / Harry Kramer / Karen Kunc / Tom Kundig / Leonardo Lasansky / Pat Lasch / Martin Levine / Bruno Lucchesi / Mary Lucier / Sangram Majumdar / Michael Maltzan / Mary Beth McKenzie / Julie Mehretu / Melissa Meyer / Ruth Miller / John Moore / Judith Murray / John Newman / Richard Olcott / Jim Osman / Don Perlis / Donald Porcaro / Langdon Quin / Andrew Raftery / Carole Robb / Reeve Schley / Judith Shea / Lorraine Shemesh / Jean Shin / Arthur Simms / Richard Sloat / Ed Smith / Ned Smyth / Jane South / Kyle Staver / Gary Stephan / Jessica Stockholder / Immi Storrs / Evan Summer / Barbara Takenaga / James Timberlake / Fred Tomaselli / Anita Toney / Lee Tribe / Bernard Tschumi / Michael Van Valkenburgh / Claire Van Vliet / Don Voisine / Sarah Walker / Kay WalkingStick / Leslie Wayne / Claire Weisz / Jerome Witkin / Alexi Worth / Jimmy Wright / Sharon Yates / Murray Zimiles
Expo Chicago
Miles McEnery Gallery
Navy Pier in the Festival Hall
600 E Grand Ave, Chicago IL 60611
Penguin Random House Lobby
Penguin/Random House has commissioned a painting for their lobby at 1745 Broadway, New York, NY.
Century: 100 Years of Black Art at MAM
Feb 9 - Jul 7, 2024
The largest of its kind in the Museum’s history, this exhibition celebrates the dramatic growth of MAM’s collection of works by Black artists. Ranging from James Van Der Zee’s historic photograph Black Red Cross March, Harlem (1924), to Nanette Carter’s Destabilizing #2 (2022), the show features the depth, breadth, and variety of art by African Americans during the past century.
Cyclical Bloom
Patrick Alston, Kevin Cole, Lisa Corinne Davis, Scott Fraser, Aïda Muluneh, Wycliffe Mundopa, Blessing Ngobeni, Enrico Riley, and Philemona Williamson.
TWO YEARS AND CHANGE
Yura Adams, Anna Berlin, Madeleine Bialke, Jed Cohen, Lisa Corinne Davis, Dana Frankfort, Kathleen Goncharaov, EJ Hauser, Colleen Herman, Michelle Laxalt, Lee Maxey, Cassandra Mayela, Georgia McGovern, Melissa Meyer, Jiha Moon, Lucy Mullican, Naomi Nakazato, Keisha Prioleau-Martin, Aliza Sternstein, Jia Sung, Kako Ueda, and Zi Wang.
Between States
Benefit exhibition to support abortion rights via Planned Parenthood, Brigid Alliance, and Keep Our Clinics.
Opening Reception: Friday, September 16, 6 - 9 PM
Curated by Michael David and Jenifer Samet.
With works by Andrea Belag, Michael Berryhill, Allison Blumenthal, Katherine Bradford, Tom Burckhardt, Lisa Corinne Davis, Astrid Dick, Angela Dufresne, Teresa Getty, Brenda Goodman, Joanne Greenbaum, Nora Griffin, Cate Holt, Suzanne Joelson, Lauren Luloff, Suzanne McClelland, Cherie Mittenthal, Louise Noel, Camila Oliveira Fairclough, Judy Pfaff, Erika Ranee, Mira Schor, Franchesca Schwartz, Joan Snyder, Kyle Staver, Emily Weiskopf, and Molly Zuckerman-Hartung.
Between States is about the space between visual experience and recognition/nameability. It is about perceptual depth and multi-dimensional readings. Between States counters the idea that we are divided according to the state in which we live, and highlights the reality of human connection across geographical boundaries. Between States highlights gender fluidity, and emphasizes that women’s rights are human rights. Between States refers to the fluid phases in women’s lives, including that of pregnancy.
Given Time
Curated by Molly Sullivan
The Milton Resnick and Pat Passlof Foundation is pleased to present Given Time, a group exhibition of paintings by Milton Resnick, David Reed, John L. Moore, Lisa Corinne Davis, and Yevgeniya Baras. Curated by Molly Sullivan, the exhibition is on view September 8, 2022 - February 25, 2023. A catalog featuring an essay by Sullivan will accompany the exhibition.
Given Time reimagines an exhibition curated by Sullivan in 1991: Contemporary Abstract Painting at the Muscarelle Museum of Art at William and Mary College in Williamsburg, Virginia. A group show of painters including Resnick, Reed, and Moore, Contemporary Abstract Painting referenced the tumult of the 1980s art market, debates over the future of painting, and the impact of the political moment on artists’ work.
Given Time expands on that premise, presenting a range of work by artists with a broad spectrum of personal and political influences. The exhibition is anchored by Milton Resnick’s mature work from the 1980s and features more recent works by David Reed and John L. Moore. Included also are Lisa Corinne Davis and Yevgeniya Baras, each from younger generations of painters whose work and perspectives broaden the exhibition’s narrative.
Imagined for the Milton Resnick and Pat Passlof Foundation with care to the contemporary moment, Given Time considers the impact of the three decades passed in the interim between the original exhibition and its current iteration. With attention to the particulars of each artist, Sullivan narrows her thesis on abstract painting by way of their varied and vibrant paintings and personal histories, examining what can be created when given time.
Art Basel Miami Beach
December 2, 2021 - December 4, 2021
Jenkins Johnson will present artists who explore social and political issues of the Black Diaspora by bridging historical and contemporary moments: Jae and Wadsworth Jarrell, Mary Lovelace O'Neal, Ming Smith, Enrico Riley, Blessing Ngobeni, Dewey Crumpler, Raelis Vasquez, Veronica Fernandez, Alex Jackson, Gordon Parks, Lisa Corinne Davis and Philemona Williamson. On a daily rotation, one outer wall will expand the viewing to include work by one of three emerging painters: Alex Jackson, Blessing Ngobeni, and Raelis Vasquez.
EXUBERANCE: Dialogues in African American Abstract Painting
October 26, 2021 - December 10, 2021
Duke Hall Gallery of Fine Art
James Madison University
Charles Burwell, Nanette Carter, Lisa Corinne Davis, Lamerol Gatewood, Rico Gatson, Felrath Hines, Norman Lewis, Erika Ranee, Ronald Walton, Benjamin Wigfall and Susan Zurbrigg
Un-Representation
Sanford Biggers, Lisa Corinne Davis, Jack Whitten
The Tang Teaching Museum815 North Broadway
Saratoga Springs, NY 12866
518-580-8080
Un-Representation
Sanford Biggers, Lisa Corinne Davis, Jack Whitten
In the summer of 2020, millions of people attended Black Lives Matter protests, making them one of the largest social justice movements in U.S. history. While these protests encouraged anti-racist actions, they also stirred up traumatic images and experiences among Black communities. As a response to centuries-old racialized injustices, Un-Representation seeks to provide a space of healing for Black communities. The three featured works by Black artists embody the possibilities of Black American creative freedom and spirit. Through abstract artworks, this exhibition will serve as a source of meditative restoration, offering abstraction as both originating from and producing Black joy. Created with Black visitors in mind, the exhibition welcomes all to engage with the meditative powers of these artworks.
Several pre-recorded guided meditations created by Skidmore alumna Tobi Ewing ‘15 will accompany the exhibition, and there will be a series of meditation workshops for Black Skidmore students, faculty, and staff throughout the fall.
Un-Representation is the capstone project for Maria Staack ’22, the 2020–21 Meg Reitman Jacobs ‘63 Endowed Intern. The Internship is a yearlong pre-professional opportunity for a Skidmore junior or senior in the Tang Museum’s Education Department.
This exhibition is curated by Maria Staack ’22, the 2020–21 Meg Reitman Jacobs ‘63 Endowed Intern, and is supported by the Friends of the Tang and the Carter-Rodriguez Fund for Student-Curated Programs.
The Frances Young Tang
Teaching Museum and Art
Gallery at Skidmore College
815 North Broadway
Saratoga Springs, NY 12866
Phone: 518-580-8080
I Dream in Black and White
The OLYMPIA Project
41 Orchard St, New York, NY 10002
August 14 - September 18
Eve Aschheim, Anna Berlin, Lisa Corinne Davis, Brenda Goodman, Melissa Meyer, Susanna Phillips, Elena Sisto
Point of Departure: Abstractions 1958–Present
Sheldon Museum of Art
August 13–December 31
Tony Bechara, Ross Bleckner, Lisa Corinne Davis, Helen Frankenthaler, Carmen Herrera, Norman Lewis, Al Loving, Odili Donald Odita, Mavis Pusey, Stanley Whitney
What's It All About?
Jenkins Johnson Projects, New York, is pleased to present What’s It All About. A group exhibition featuring the works Anthony Olubunmi Akinbola, Patrick Alston, Carmen Neely, Esteban Ramón Pérez, Emma Soucek, Jason Stopa, Dewey Crumpler and Lisa Corinne Davis. The exhibition will have an accompanying essay by Writer and Critic Amarie Gipson. What’s It All About brings together a focused selection of works by a multigeneration group of artists all considering abstraction within their practice.
Jenkins Johnson Projects
207 Ocean Avenue
Brooklyn, NY, 11225
Subliminal Horizons
Alexander Gray Associates
Subliminal Horizons
New York City: July 1 - August 14, 2021
Germantown: July 2 - August 15, 2021
Diana Al-Hadid, Huma Bhabha, Henri Paul Broyard, Karlos Cárcamo Lisa Corinne Davis, Melvin Edwards, Kenji Fujita, Jeffrey Gibson, David Hammons, Lyle Ashton Harris, Jennie C. Jones, Laleh Khorramian, Glenn Ligon, Adam Pendleton, Martin Puryear, Angel Otero, Tschabalala Self, Xaviera Simmons, Kianja Strobert, Carlos Vega
Alexander Gray Associates presents Subliminal Horizons, an exhibition curated by Alvin Hall as an open-ended survey of Black, indigenous, brown, and Asian artists living and working in the Hudson Valley in New York.
BIPOC creators and their predecessors have always been present in the Hudson Valley. They numbered among its original inhabitants and labored in its agrarian and industrial economies. They have been a force in the countercultural and creative communities that have historically been drawn to the area and are now driving its ongoing transformation into an arts-driven economy. Nonetheless, their work has largely been left out of a cultural narrative that historically gives primacy to the nearly all-white, all-male Hudson River School. Bringing together painting, sculptures, and drawings by an intergenerational group of BIPOC artists living and working in Hudson Valley, Subliminal Horizons invites a fluid, open-ended consideration of the area’s cultural life oriented towards an expanded field and a more complete context.
Rather than presenting a purely critical thesis, the exhibition offers a point of departure for this expanded field. The artists and the works on view are connected by loosely recurring art historical themes such as the contrast between the sublime, realist landscapes of the Hudson River School and the figuration, interiority, textuality, or abstraction of much contemporary work; and by the possibilities for community and collectivity embedded in their shared geography. “I’ve looked at the Hudson River and the surrounding landscape so many times during train rides. The metaphor of the estuary—a body of water that flows in multiple directions—resonates in the works,” says Alvin Hall. “One can locate the covering and uncovering of personal and social histories; a blurring of distinction between the representational and the abstract; the conflicts of the documented and imaginary; and a tension among traditions, modernism, and contemporary art’s growing pluralism in the diverse works in the exhibition.”
A necessarily incomplete intervention, Subliminal Horizons is an exercise in building community, shifting narratives, and reframing dialogue. Generous rather than exclusive, responsive rather than prescriptive, the exhibition aims to strengthen and extend community ties by uncovering existing histories, affinities, and artistic connections. Collectively, the artists and their works speak to the many ways the Hudson Valley is today an important magnet for artistic expression, intellectual pursuit, and emotional expansion.
The Burning Kite
Curated by Dolly Bross Geary, Michelle Y. Loh, and Kristen Lorello
a two-venue, collaborative group exhibition
at Geary Contemporary, Millerton, NY, and Kristen Lorello, New York, NY
Geary, 34 Main St, Millerton, NY, Opening Reception: June 13, 2 - 5pm
Scott Alario, Eve Biddle, Olivier Catté, Lisa Corinne Davis, Catherine Haggerty, Christopher Saunders, Ping Zheng.
June 12 - July 25 https://geary.nyc/the-burning-kite