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Upcoming

2017/18 Season Opens at LABspace with a Very Large Show of Very Tiny Works by Area Artists

 

Taconic North, an invitational exhibition of small works from regional artists, curated by Susan Jennings and Julie Torres opens at LABspace on Saturday April 15th and runs through Sunday June 11th. This very large show of very small works is being organized in the same spirit as LABspace, a nexus of creative community and expression. The curators have connected around their shared love of tiny artworks, and packed shows of local artists that help to expand and strengthen connections.Taconic North is a celebration of area artists and creative community.

The show opens with a reception for the artists on Saturday, April 15 from 5-7:30. There will be several events during the show including music performances, readings, talks, brainstorming/creative sessions and cocktail gatherings. Please watch for announcements of these events.

 

Participating Artists Include:

 

Peter Acheson, Yura Adams, Julia Whitney Barnes, Maureen Beitler, Nicole Cherubini, Leona Christie, Marieken Cochius, Carl D’Alvia, Lisa Corinne Davis, Carol Diehl, Bugzdale, Peter Dudek, Daniella Dooling, Diane Dwyer, Susan English, Julie Evans, Sarah Falkner, Lacey Fekishazy, Tara Fracalossi, Chris Freeman, Matt Frieburghaus, Lorrie Fredette, Chris Freeman, Danny Goodwin, Elliott Green, Amy Griffin, Sean Hemmerle, Thomas Huber,  Gabriel Hurier, Will Hutnick, Kylie Heidenheimer, Brece Honeycutt, Erick Johnson, Laura Kaufman, Phil Knoll, Thomas Lail, Paula Lalala, Madison LaVallee, Ellen Letcher, Meg Lipke, Cotter Luppi, Joel Longenecker, Maggie Mailer, Jason Martin Power Animal System, Susan Meyer, Ieva Medodia, Jason Middlebrook, Laura Moriarty, Sue Muscat, Petra Nimtz, Kathy Osborn, Ruby Palmer, Elisa Pritzker, Patrick Purcell, Michael Rodriguez, Mandolyn Wilson Rosen, Alexander Ross, Peter Rudolph, Mark Safan, Jackie Saccoccio, Katia Santibanez, Sam Scoggins, Susan Scott, Michelle Segre, Claire Sherwood, Corinna Schaming, Polly Schindler, Dee Shapiro, Gregory Slick, Cary Smith, George Spencer, Michael St. John, Jeff Starr, Linda Stillman, Amy Talluto, Susie Tarnowicz, Christina Tenaglia, Claudia Tienan,  Michael Tong, Katharine Umstead, Oliver Wasow, Guy Walker, Eleanor White, Ann Wolf, Eric Wolf, Geoffrey Young, Deborah Zlotsky

Century: 100 Years of Black Art at MAM
Feb
9
to Jun 23

Century: 100 Years of Black Art at MAM

The largest of its kind in the Museum’s history, this exhibition celebrates the dramatic growth of MAM’s collection of works by Black artists. Ranging from James Van Der Zee’s historic photograph Black Red Cross March, Harlem (1924), to Nanette Carter’s Destabilizing #2 (2022), the show features the depth, breadth, and variety of art by African Americans during the past century.

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TWO YEARS AND CHANGE
Feb
23
to Mar 25

TWO YEARS AND CHANGE

Yura Adams, Anna Berlin, Madeleine Bialke, Jed Cohen, Lisa Corinne Davis, Dana Frankfort, Kathleen Goncharaov, EJ Hauser, Colleen Herman, Michelle Laxalt, Lee Maxey, Cassandra Mayela, Georgia McGovern, Melissa Meyer, Jiha Moon, Lucy Mullican, Naomi Nakazato, Keisha Prioleau-Martin, Aliza Sternstein, Jia Sung, Kako Ueda, and Zi Wang.

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Between States
Sep
16
to Oct 2

Between States

Benefit exhibition to support abortion rights via Planned Parenthood, Brigid Alliance, and Keep Our Clinics. 
Opening Reception: Friday, September 16, 6 - 9 PM

Curated by Michael David and Jenifer Samet.

With works by Andrea Belag, Michael Berryhill, Allison Blumenthal, Katherine Bradford, Tom Burckhardt, Lisa Corinne Davis, Astrid Dick, Angela Dufresne, Teresa Getty, Brenda Goodman, Joanne Greenbaum, Nora Griffin, Cate Holt, Suzanne Joelson, Lauren Luloff, Suzanne McClelland, Cherie Mittenthal, Louise Noel, Camila Oliveira Fairclough, Judy Pfaff, Erika Ranee, Mira Schor, Franchesca Schwartz, Joan Snyder, Kyle Staver, Emily Weiskopf, and Molly Zuckerman-Hartung.

Between States is about the space between visual experience and recognition/nameability. It is about perceptual depth and multi-dimensional readings. Between States counters the idea that we are divided according to the state in which we live, and highlights the reality of human connection across geographical boundaries. Between States highlights gender fluidity, and emphasizes that women’s rights are human rights. Between States refers to the fluid phases in women’s lives, including that of pregnancy. 

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Given Time
Sep
8
to Feb 25

Given Time

Curated by Molly Sullivan

The Milton Resnick and Pat Passlof Foundation is pleased to present Given Time, a group exhibition of paintings by Milton Resnick, David Reed, John L. Moore, Lisa Corinne Davis, and Yevgeniya Baras. Curated by Molly Sullivan, the exhibition is on view September 8, 2022 - February 25, 2023. A catalog featuring an essay by Sullivan will accompany the exhibition.

Given Time reimagines an exhibition curated by Sullivan in 1991: Contemporary Abstract Painting at the Muscarelle Museum of Art at William and Mary College in Williamsburg, Virginia. A group show of painters including Resnick, Reed, and Moore, Contemporary Abstract Painting referenced the tumult of the 1980s art market, debates over the future of painting, and the impact of the political moment on artists’ work.

Given Time expands on that premise, presenting a range of work by artists with a broad spectrum of personal and political influences. The exhibition is anchored by Milton Resnick’s mature work from the 1980s and features more recent works by David Reed and John L. Moore. Included also are Lisa Corinne Davis and Yevgeniya Baras, each from younger generations of painters whose work and perspectives broaden the exhibition’s narrative.

Imagined for the Milton Resnick and Pat Passlof Foundation with care to the contemporary moment, Given Time considers the impact of the three decades  passed in the interim between the original exhibition and its current iteration. With attention to the particulars of each artist, Sullivan narrows her thesis on abstract painting by way of their varied and vibrant paintings and personal histories, examining what can be created when given time. 

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Art Basel Miami Beach
Dec
2
to Dec 4

Art Basel Miami Beach

  • Miami Beach Convention Center (map)
  • Google Calendar ICS

December 2, 2021 - December 4, 2021

Jenkins Johnson will present artists who explore social and political issues of the Black Diaspora by bridging historical and contemporary moments: Jae and Wadsworth Jarrell, Mary Lovelace O'Neal, Ming Smith, Enrico Riley, Blessing Ngobeni, Dewey Crumpler, Raelis Vasquez, Veronica Fernandez, Alex Jackson, Gordon Parks, Lisa Corinne Davis and Philemona Williamson. On a daily rotation, one outer wall will expand the viewing to include work by one of three emerging painters: Alex Jackson, Blessing Ngobeni, and Raelis Vasquez.

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Un-Representation
Aug
21
10:00 AM10:00

Un-Representation

Sanford Biggers, Lisa Corinne Davis, Jack Whitten

In the summer of 2020, millions of people attended Black Lives Matter protests, making them one of the largest social justice movements in U.S. history. While these protests encouraged anti-racist actions, they also stirred up traumatic images and experiences among Black communities. As a response to centuries-old racialized injustices, Un-Representation seeks to provide a space of healing for Black communities. The three featured works by Black artists embody the possibilities of Black American creative freedom and spirit. Through abstract artworks, this exhibition will serve as a source of meditative restoration, offering abstraction as both originating from and producing Black joy. Created with Black visitors in mind, the exhibition welcomes all to engage with the meditative powers of these artworks.

Several pre-recorded guided meditations created by Skidmore alumna Tobi Ewing ‘15 will accompany the exhibition, and there will be a series of meditation workshops for Black Skidmore students, faculty, and staff throughout the fall.

Un-Representation is the capstone project for Maria Staack ’22, the 2020–21 Meg Reitman Jacobs ‘63 Endowed Intern. The Internship is a yearlong pre-professional opportunity for a Skidmore junior or senior in the Tang Museum’s Education Department.

This exhibition is curated by Maria Staack ’22, the 2020–21 Meg Reitman Jacobs ‘63 Endowed Intern, and is supported by the Friends of the Tang and the Carter-Rodriguez Fund for Student-Curated Programs.

The Frances Young Tang
Teaching Museum and Art
Gallery at Skidmore College

815 North Broadway
Saratoga Springs, NY 12866
Phone: 518-580-8080


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What's It All About?
Jul
17
to Aug 28

What's It All About?

Jenkins Johnson Projects, New York, is pleased to present What’s It All About. A group exhibition featuring the works Anthony Olubunmi Akinbola, Patrick Alston, Carmen Neely, Esteban Ramón Pérez, Emma Soucek, Jason Stopa, Dewey Crumpler and Lisa Corinne Davis. The exhibition will have an accompanying essay by Writer and Critic Amarie Gipson. What’s It All About brings together a focused selection of works by a multigeneration group of artists all considering abstraction within their practice.

Jenkins Johnson Projects

207 Ocean Avenue

Brooklyn, NY, 11225

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Subliminal Horizons
Jul
1
to Aug 15

Subliminal Horizons

Alexander Gray Associates

Subliminal Horizons

New York City: July 1 - August 14, 2021

Germantown: July 2 - August 15, 2021

Diana Al-Hadid, Huma Bhabha, Henri Paul Broyard, Karlos Cárcamo Lisa Corinne Davis, Melvin Edwards, Kenji Fujita, Jeffrey Gibson, David Hammons, Lyle Ashton Harris, Jennie C. Jones, Laleh Khorramian, Glenn Ligon, Adam Pendleton, Martin Puryear, Angel Otero, Tschabalala Self, Xaviera Simmons, Kianja Strobert, Carlos Vega


Alexander Gray Associates presents Subliminal Horizons, an exhibition curated by Alvin Hall as an open-ended survey of Black, indigenous, brown, and Asian artists living and working in the Hudson Valley in New York.

BIPOC creators and their predecessors have always been present in the Hudson Valley. They numbered among its original inhabitants and labored in its agrarian and industrial economies. They have been a force in the countercultural and creative communities that have historically been drawn to the area and are now driving its ongoing transformation into an arts-driven economy. Nonetheless, their work has largely been left out of a cultural narrative that historically gives primacy to the nearly all-white, all-male Hudson River School. Bringing together painting, sculptures, and drawings by an intergenerational group of BIPOC artists living and working in Hudson Valley, Subliminal Horizons invites a fluid, open-ended consideration of the area’s cultural life oriented towards an expanded field and a more complete context.

Rather than presenting a purely critical thesis, the exhibition offers a point of departure for this expanded field. The artists and the works on view are connected by loosely recurring art historical themes such as the contrast between the sublime, realist landscapes of the Hudson River School and the figuration, interiority, textuality, or abstraction of much contemporary work; and by the possibilities for community and collectivity embedded in their shared geography. “I’ve looked at the Hudson River and the surrounding landscape so many times during train rides. The metaphor of the estuary—a body of water that flows in multiple directions—resonates in the works,” says Alvin Hall. “One can locate the covering and uncovering of personal and social histories; a blurring of distinction between the representational and the abstract; the conflicts of the documented and imaginary; and a tension among traditions, modernism, and contemporary art’s growing pluralism in the diverse works in the exhibition.”

A necessarily incomplete intervention, Subliminal Horizons is an exercise in building community, shifting narratives, and reframing dialogue. Generous rather than exclusive, responsive rather than prescriptive, the exhibition aims to strengthen and extend community ties by uncovering existing histories, affinities, and artistic connections. Collectively, the artists and their works speak to the many ways the Hudson Valley is today an important magnet for artistic expression, intellectual pursuit, and emotional expansion.

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The Burning Kite
Jun
12
to Jul 25

The Burning Kite

Curated by Dolly Bross Geary, Michelle Y. Loh, and Kristen Lorello
a two-venue, collaborative group exhibition
at Geary Contemporary, Millerton, NY, and Kristen Lorello, New York, NY

Geary, 34 Main St, Millerton, NY, Opening Reception: June 13, 2 - 5pm
Scott Alario, Eve Biddle, Olivier Catté, Lisa Corinne Davis, Catherine Haggerty, Christopher Saunders, Ping Zheng.
June 12 - July 25 https://geary.nyc/the-burning-kite

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"Seeing Past the Future"
Jun
10
to Aug 31

"Seeing Past the Future"

An online exhibition is open Seeing Past the Future, an online exhibition of works by 2020 Pollock-Krasner Foundation grant recipients, is now live on our website, pkhouse.org

The exhibition was conceived by Shimon Attie, the inaugural Charles C. Bergman Endowed Visiting Professor of Studio Art at Stony Brook University’s College of Arts and Sciences, in conjunction with the Pollock-Krasner House and Study Center. It includes work by 29 artists who have received Pollock-Krasner Foundation grants since the onset of the COVID-19 pandemic and will remain on view through August 31.

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Hope For Bluer Skies
Mar
5
to Apr 9

Hope For Bluer Skies

The Mayor Gallery is pleased to launch the third and final iteration of our 3-part online exhibition. Our presentation covers a selection of artworks (painting, reliefs and works on paper) aligning to the theme of blue skies and the hope and optimism that comes with them.

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ART BASEL/OVR:2020
Sep
23
to Sep 26

ART BASEL/OVR:2020

ART BASEL OVR:2020VIRTUAL ART FAIR

23 - 26 SEPTEMBER 2020

Jenkins Johnson Gallery is pleased to announce our participation in Art Basel's OVR:2020. We will be presenting works by Lisa Corinne Davis, Amani Lewis, Rashaad Newsome, Blessing Ngobeni, and Raelis Vasquez.

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POWER Ts 2020
Aug
23
to Oct 1

POWER Ts 2020

Posted August 13, 2020 POWER Ts 2020 is a fundraising event to be held end August through end-September, 2020

In 2018, together with you, we raised $20,000+ for Swing Left to direct toward the mid-term elections to turn the House blue!
In 2004, Pierogi and Mike Ballou undertook the first POWER Ts campaign selling artist-designed T-shirts, raising nearly $30,000 for Democrats.
We’re bringing it back once again and we’re ready to raise even more for the 2020 presidential election.
T-shirts, Tote Bags, and Face Masks will be available.
Purchasers will be able to choose from among three organizations to direct their proceeds:
Swing Left, ACLU, and Black lives matter*  (*these donations go through ActBlue)

Order here.* (Click desired item to purchase, and specify artist’s design and shirt size on the next page).
*Ordering will be available late August-early September

There will approximately 75 artist designs. You pick the art, your item, and size (for Ts).
All are to be picked up at Pierogi (curb-side pick up available) and, unfortunately, cannot be shipped.
T-shirts are $45. each
Tote Bags are $45. each
Face Masks are $20. each
The T-shirts are soft 100% cotton, made in the USA.
The Tote Bags are heavy duty, 100% cotton (13.75″ H x 14.75″ W with a 3.75″  bottom gusset and 12″ high straps).
The Face Masks are 100% US three-ply cotton with filter pocket and all around binding (non-medical grade).
Each order is printed upon demand.  See a T-shirt size chart here.

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